It would stand to reason that the ziggurats, the flat topped pyramids were built as docking platforms or transportation ports for the smallest of ships or devises. Whereas the larger ships would occupy, say, the top of a mountain surrounded by sacred forests guarded by a Moreauvian beast named Huwawa. A port of this type on a planet occupied world wide by the same advanced technology would be visited by many ambassadors and business emissaries on a regular basis. These would be the officials and messengers and leaders of the Anunnaki. And so the towers of babel would have good reason to house so many official translators traveling about doing daily business on a planetary level. Once the powerful "gods" were gone, the desperate Adamas would be vulnerable to all the failures of a kingdom that define our written history including the re/misinterpretation of oral and pictographic history and the actions of their forefathers leading eventually to violent bloodletting in most societies. The best and brightest being sacrificed to the organic symbols for technology they didn't understand. A transport beam is described and painted as a pillar of fire and years later substituted by real fire. A flying/sub machine that fires projectiles or ray technology or uses rockets is described as a flying reptile that rules the water and spits fire in the rediscovery of technology would be shrugged off as mythological mysticism created by the uninformed.
Niburu travels in a solar elipse equal to 3600 earth years. This elipse has a particularly strong impact on earth's polarity and tectonic stability effecting drastic tidal shifts and occasionally causing a rapid ice age. To combat this, each time a seed ship is loaded with all the DNA required to repopulate the planet, Adama caretakers are chosen and they secure the future investments of Earth against gravitational damage from Niburu leaving the solar system. The subsequent recession of oceanic water exposes great cities now sealed in stone. When Niburu is in range of the sun, Earth becomes their home base while they mine the other planets for their resources and replenish their gene pool with healthy sun-drenched bodies for the next 3600 year cycle into deep space.
After the exodus of the Anunnaki, along with their knowledge, technology and care taking, the Adamas were left with only Enki and his empire to protect the planet. Most of their focus and energy are spent inside Earth keeping it a stable and functioning life producing satellite around the sun. They work with the governments to keep the planet's needs as well as the Adamas evolution in line with the needs of the Anunnaki.
Where is Enki now? If we were made from his DNA and some junk ape DNA. According to the texts, we look like them. We are made so much in their image that they find us sexy. So Enki and the rest are likely right here with us. Perhaps they are vampiric in a sense that they travel through space in stasis and require the pure blood of a youth not yet defiled by the dirt of lustful pursuit to transfuse life into their space-weary flesh. Regardless, I take the stance that the Anunnaki were not slave owners, but creaters/caretakers of the Adamas who play an important part in their lives. From our perspectives we are our bodies and our lives begin when we are born. We amass an identity from our catalogue of experiences and our lower reptilian/ape brain functionality convinces us that's what we are. If we transcend this mind, and activate the higher brain, the pineal gland and open the conscious awareness enough we realize that while this life is the perspective of this body, this consciousness is also that of our Enki, on Niburu, creator of us all, including Ut-Napishtim (aka Noah) whose name means "father of us all who survived the flood."
Another train of thought involves transit portals/wormholes beneath the oceans and/or cities associated with them may still be the homes or bases of operation for the Anunnaki who continue to manage the human element. The rapid increase in technology over the past couple of centuries could indicate the return of Niburu.
At this point I ask IF Gilgamesh lived about 3600 years ago during a time when the Anunnaki were around and if the Anunnaki left on Niburu which ravels a 3600 year cycle, then has our rapid technological advancement and our subsequent presence in space this past century developed in direct relation to the impending elliptical return of Niburu, the Anunnaki and God the Creator, in all his glory, come to judge the quick and the dead.
To be a sacrificial virgin would needs be an initiate into the heavenly guard, to become god's messenger, an immortal who stands to lose their ignorance and transcend their physical lives as they know it in order to travel thousands of years into deep space. They would have to give up this life in order to gain it. They would have to be reborn into a new understanding of reality.
Another train of thought involves transit portals/wormholes beneath the oceans and/or cities associated with them may still be the homes or bases of operation for the Anunnaki who continue to manage the human element. The rapid increase in technology over the past couple of centuries could indicate the return of Niburu.
At this point I ask IF Gilgamesh lived about 3600 years ago during a time when the Anunnaki were around and if the Anunnaki left on Niburu which ravels a 3600 year cycle, then has our rapid technological advancement and our subsequent presence in space this past century developed in direct relation to the impending elliptical return of Niburu, the Anunnaki and God the Creator, in all his glory, come to judge the quick and the dead.
To be a sacrificial virgin would needs be an initiate into the heavenly guard, to become god's messenger, an immortal who stands to lose their ignorance and transcend their physical lives as they know it in order to travel thousands of years into deep space. They would have to give up this life in order to gain it. They would have to be reborn into a new understanding of reality.
So in this production the telling of the story is part of an initiation, the sacrifice of the ignorance of the player of Gilgamesh, the innocence of the virgin player of Enkidu as he is He has discovered the temple of Enki and he wants in. Once he is in, the only way out alive is to pass through the ritual... to "die" and be reborn. To gain truth, innocence must be sacrificed or there is no change and a callous is developed. The audience and the virgin represent the innocence of humanity in our infantile understanding of the universe and our position in it.
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